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Haumanu

Te poho o Nuku

Te poho o Nuku – 25 Mar 22

Hapū Wānanga and Haumanu collective present this event/class to all interested in knowing more about Hapūtanga & Rongoā on Friday 25 March from 1-3pm

Jerome Kavanagh

Jerome Kavanagh

We like to welcome Jerome Kavanagh to the Haumanu Collective. Through the teachings of his Kuia and whanau he was first introduced to a koauau at 14 years old and developed his own unique playing style by spending time in the Ruahine ranges listening and mimicing native bird calls with his voice

Awhina Tamarapa - Taonga Pūoro practitioner

Awhina Tamarapa

We’d like to welcome Awhina Tamarapa to the Haumanu Collective. Awhina is a Māori curator, researcher and writer. She is a Teaching Fellow and PhD student in the Museum and Heritage Studies programme at Victoria University of Wellington, Te Herenga Waka.

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Rehu: created by James Webster. Photo by Norman Heke.

Rehu

Rehu are long flutes with a closed top and a transverse blowing hole, but with finger holes like the pōrutu. It’s name is an old one and suggests it was a prized embellisher of song. Rehu are similar to Pōrutu.

Pūrerehua / Turorohu

Pūrerehua or turorohu create eerie sounds as they spin on the ends of their cords. Stories are told of them calling rain, summoning tears and even enticing food from hiding places.

Te Kū: created by James Webster.

Te Kū

Te kū is a single stringed bow and is tapped with a rod while using the mouth cupped over the string to modify the resonance of sound- similar to the rōria.

Rōria

This instrument is similar to the Jew’s harp. It has a slender tongue of bone or wood and is plucked to create sound through vibration. The mouth is used to manipulate the sound and produce various resonances.

Tumutumu Kōhatu

Kōhatu (stones) are from the family of Papatüänuku. When tapped or rubbed together they resonate the movements of the earth mother. Kōhatu are the rhythm keepers.